Though fiction, by definition, is made up, to succeed it must be believable. Even fantasies must make sense.
Smith July 21, When I began writing my first crime novel, I knew it would be a challenge. But there was one aspect of writing that I was sure would be much easier than the rest: The plot was going to take a lot of work, the research would be arduous, the character development would drain me — but the action scenes were going to be a breeze.
That was before I wrote one. I heard each hit as it landed, saw the blood and cracked bones, felt the impact of fists and feet and knees and elbows. The fight, in my mind, was glorious.
Discouraged, I trashed the first draft and did some further research. The second, third and fourth drafts have been much better. Parker have all written novels chock full of bad characters doing very bad things. Some scenes features intense, vivid descriptions; some have almost no description at all.
Some action scenes are fast and deadly, some are longer and suspenseful. Reading a variety of work will help inspire you to try a few different ways of writing a scene, and ultimately find the one that works best for you and your story. For example, in his Spenser novels, Robert B.
Parker often goes into great detail about what his characters wear, but his actions scenes are short and deadly. I hit Shelley under the jaw, and he stepped back and swung at me. I shrugged my shoulder up and took the punch on it. I hit Shelley four times, three lefts and a right in the face.
He stumbled back, blood rushing from his nose.
Reacher half turned and half stepped back, toward his door, a fluid quarter circle, shoulders and all, and like he knew they would the two guys moved toward him, faster than he was moving, off-script and involuntary, ready to grab him.
Reacher kept it going long enough to let their momentum establish, and then he whipped back through the reverse quarter circle toward them, by which time he was moving just as fast as they were, two hundred and fifty pounds about to collide head-on with four hundred, and he kept twisting and threw a long left hook at the left-hand guy.
The styles are different, but both are effective and entertaining.
Keep the story moving Do you really need an action scene at that particular point in the story? Good writers know how to use action effectively to advance their story.
The scene also forces the reader to ask questions that enhance the enjoyment of the rest of the novel.Having trouble making the scenes in your novel work their magic?In this article, I’ll show you how to write the “perfect” scene. Maybe you think it’s impossible to write the perfect rutadeltambor.com all, who can choose every word perfectly, every thought, every sentence, every paragraph?
Go step-by-step through plotting and writing a novel. Learn how to find and develop ideas, brainstorm stories from that first spark of inspiration, develop the right characters, setting, plots and subplots, as well as teach you how to identify where your novel fits in the market, and if your idea has what it takes to be a series.
When you’re writing (or rewriting) a scene, do you ever get the feeling you just don’t have enough to say? Sure, there’s the action–but what about all the extra bits meant to .
Aug 24, · Think about a fight scene in a novel or short story that you found effective and full of action. You also want to read other examples such as: The fight between Hector and Achilles in 87%(39).
Writing the Middle-Grade Novel By Kristi Holl. Middle graders (ages 8 to 12) belong to the "Golden Age of Reading." They devour books on a wide variety of subjects.
The scene wouldn’t have had the same impact if the author had woven action and narrative throughout the dialogue.
This is a neurotic character, and this fast-paced scene of dialogue shows the extent of his neurosis, especially compared to Chloe’s explanation of the candles being just candles.